How the Original Mickey Mouse Club Mousketeers Looked Like in the 1950s: Vintage Photos of the Iconic TV Show

The “Mouseketeers” were an assortment of variously gifted, mostly non-professional California kids selected by Walt Disney as the core around which the Mickey Mouse Club, Disney’s second network television venture (after Disneyland), was produced. The pervasively popular show quickly became one of the major crazes of the mid-1950s, and the “Merry Mouseketeers,” sporting black beanies topped with round mouse ears, became enduring icons of a newly affluent, post-war America.

The original show, begun in 1955, was syndicated from 1962 to 1965, again in 1972, and in an abridged format on the Disney Channel in 1983. Two up-dated (and very politically correct) versions appeared in 1977 and 1989, but it was the Cold War Mickey Mouse Club and its Mouseketeers that achieved true cultural immortality during its relatively brief but massively assimilated run in the 1950s. The show’s popularity was unprecedented in its time, and its nostalgic appeal and cultural impact continued to exert a fascination that was still evident 40 years later.

Disney’s Mickey Mouse Club premiered on ABC on October 3, 1955, and ran until September 25, 1959. The show was actually a recycling of the popular live Mouse Clubs that had flourished in movie theaters between 1929 and 1933. The TV manifestation proved equally successful with 1950s youngsters, although adults and critics were heard to voice some essentially unheeded reservations. Mickey Mouse Club was aired Monday through Friday between 5:00 and 6:00 p.m. and was divided into four ritualistic segments. After a daily animated lead-in from the Mouse himself, the first quarter presented newsreels on global subjects of interest to children, a series of safety/health films or a similarly instructive feature moderated by Jiminy Cricket (Disney’s personable insect character from the 1939 film Pinocchio).

The Mouseketeers themselves (all identified by first name only) were divided into two groups: the “Red Team” of the top ten most showcased performers and the larger although second-string “Blue Team.” Of the select “Reds” Annette Funicello achieved the most Club -era adulation and post-Mouse success. Funicello enjoyed a brief recording and screen career before retiring into domestic life. In 1987 she returned, with AIP co-star Frankie Avalon, in the film Back to the Beach, a sharp satire that made frequent references to their mutual pop culture histories. Of the boys, Bobby (Bobby Burgess) became a dancing fixture on the Lawrence Welk Show. The adult regulars on Mickey Mouse Club were Jimmie Dodd, who moderated and wrote many of the songs, and Roy Williams, a Disney artist who spoke on the show only through his caricatures and quick-sketch drawings.

Schoolchildren Salute the Flag in the U.S in 1915, And Here's What the American Flag Salute Once Looked Like _ Nostalgic US Treasures

The American schoolchildren in the picture below are showing their loyalty to the flag and country by giving the “Bellamy salute” while reciting the Pledge of Allegiance. Despite how it might look, the Bellamy Salute had nothing to do with Nazi dictator Adolph Hitler, but it did cause quite stir many years ago. In fact, the Bellamy salute is an interesting aside on the history of the Pledge of Allegiance itself.

Bellamy salute, September 1915.

The Bellamy salute is a palm-out salute described by Francis Bellamy, the author of the American Pledge of Allegiance, as the gesture which was to accompany the pledge. During the period when it was used with the Pledge of Allegiance, it was sometimes known as the “flag salute”. Both the Pledge and its salute originated in 1892.

Later, during the 1920s and 1930s, Italian fascists and Nazis adopted a salute which was very similar, and which was derived from the Roman salute, a gesture that was popularly (albeit erroneously) believed to have been used in ancient Rome. This resulted in controversy over the use of the Bellamy salute in the United States. It was officially replaced by the hand-over-heart salute when Congress amended the Flag Code on December 22, 1942.

Children saluting the flag.

The inventor of the Bellamy salute was James B. Upham, junior partner and editor of The Youth's Companion. Bellamy recalled that Upham, upon reading the pledge, came into the posture of the salute, snapped his heels together, and said “Now up there is the flag; I come to salute; as I say 'I pledge allegiance to my flag,' I stretch out my right hand and keep it raised while I say the stirring words that follow.”

The Bellamy salute was first demonstrated on October 12, 1892 according to Bellamy's published instructions for the “National School Celebration of Columbus Day”:

At a signal from the Principal the pupils, in ordered ranks, hands to the side, face the Flag. Another signal is given; every pupil gives the flag the military salute -- right hand lifted, palm downward, to align with the forehead and close to it. Standing thus, all repeat together, slowly, “I pledge allegiance to my Flag and the Republic for which it stands; one Nation indivisible, with Liberty and Justice for all.” At the words, “to my Flag,” the right hand is extended gracefully, palm upward, toward the Flag, and remains in this gesture till the end of the affirmation; whereupon all hands immediately drop to the side. — From The Youth’s Companion, 65 (1892): 446–447.

The initial civilian salute was replaced with a hand-on-heart gesture, followed by the extension of the arm as described by Bellamy. Though the instruction called for the palm to be up, many found this awkward, and performed it with the palm down.

The Pledge of Allegiance written in the hand of its author, Francis Bellamy.

By the 1920s, Italian fascists adopted what has been called the Roman salute to symbolize their claim to have revitalized Italy on the model of ancient Rome. A similar ritual was adopted by the German Nazis, creating the Nazi salute. The similarity to the Bellamy salute led to confusion, especially during World War II.

From 1939 until the attack on Pearl Harbor, detractors of Americans who argued against intervention in World War II produced propaganda using the salute to lessen those Americans' reputations. Among the anti-interventionist Americans was aviation pioneer Charles Lindbergh. Supporters of Lindbergh's views would claim that Lindbergh did not support Adolf Hitler, and that pictures of him appearing to do the Nazi salute were actually pictures of him using the Bellamy salute. In his Pulitzer Prize winning biography Lindbergh (1998), author A. Scott Berg explains that interventionist propagandists would photograph Lindbergh and other isolationists using this salute from an angle that left out the American flag, so it would be indistinguishable from the Hitler salute to observers.

A group of children salutes the flag at the Irene Kaufmann Settlement playground in May 1934.

In order to prevent further confusion or controversy, the United States Congress instituted the hand-over-the-heart gesture as the salute to be rendered by civilians during the Pledge of Allegiance in the United States, instead of the Bellamy salute. This was done when Congress amended the Flag Code on December 22, 1942.

There was initially some resistance to dropping the Bellamy salute, for example from the Daughters of the American Revolution, but this opposition died down quickly following Nazi Germany's declaration of war against the United States on December 11, 1941.

Children performing the Bellamy salute to the flag of the United States, 1941.

Earl Babcock's school day begins with the salute to the flag, Rochester, New York, March 1943.

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Topics: old us vintage us 1950s